For decades I have been attracted to the artwork of Willis Pelton — the itinerant, native and/or folk artist who worked in Maine in the first part of the 20th century. Many of you will know his work, which he produced quickly on distinctive horizontal paper boards.

I am convinced that I saw him painting at the Skowhegan State Fair in the 1940s when I was probably about 7 years old — tall, thin, with a white beard — painting away inside a rectangular booth — working on several at a time, placed flat on a table. I was fascinated.

I have not found out much about him beyond the fact that late in life he moved to Michigan, where, in 1953, he was killed crossing a street at night in Benton Harbor. The news item stated that he was 92, which would make his birthdate probably 1861.

His work is uneven (as is that of all artists) but it is soulful and meditative. He was, essentially, a luminist and a fine designer. I have seven good paintings, and am always looking for more.

I’ve also had this idea about possibly starting a Pelton Appreciation Society, whereby those interested could share information and images and generally feel superior to those who “don’t get with it” (I jest).

My ultimate goal would be to convince some good venue — a museum, library or gallery — to curate a Pelton show — not to sell the work, but to focus attention on how impressive this unheralded artist was when at his best.

Anyone who would like to bat this idea around, can call me; I’m in the phone book.

Abbott Meader

Oakland


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