Daniel Kaluuya, shown in the American horror film “Get Out.” Contributed photo

FARMINGTON — American horror film “Get Out” is planned to be the next featured topic of the University of Maine at Farmington’s New Commons Project.

The 2017 film challenges racial stereotypes as it tells the story of a young Black man who discovers shocking secrets when he meets the family of his white girlfriend.

Jordan Peele’s directorial debut, “Get Out” won the Academy Award for Best Original Screenplay. It was also chosen by the National Board of Review, the American Film Institute and Time magazine as one of the top 10 films of the year.

According to COVID protocol, masks are required in all campus indoor spaces. Attendees are asked to sign in at all events for contact tracing.

The following events are in the UMF Emery Community Arts Center on Main Street in Farmington, and are free and open to public.

Faculty Talk: Michael Johnson, “‘Get Out” and the History of African Americans in Horror Films,” is set from 11:45 a.m. to 1 p.m. Friday, Nov. 5. Join Michael Johnson, UMF professor of English, for an examination of ‘“Get Out’s” place within a long lineage of depictions of African Americans in horror cinema.

New Commons Project Film Series: “Night of the Living Dead,” will begin at 7 p.m. Tuesday, Nov. 9, 7 p.m. As part of its month-long consideration of “Get Out” and its political interventions, the New Commons Film Series presents George A. Romero’s 1968 political zombie classic.

Kevin Wynter, keynote speaker, is to present “The Final Brother: On Horror and Black Survivability.” Contributed photo

Keynote: Kevin Wynter, “The Final Brother: On Horror and Black Survivability,” is planned for 11:45 a.m. to 1 p.m. Wednesday, Nov. 10.

Do Black people always die first in horror movies? Is it possible to be Black and successfully survive a horror film? This talk examines the status of Black representations in the horror genre, from Blaxploitation cinema to the horror parodies of the late 1990s/early 2000s, to argue that Blackness in the cultural imaginary is categorically comprehensible only when situated within inflexible and highly restricted narrative positions.

Building from Carol Clover’s influential work on the slasher film and her introduction of the term “the final girl” in her study of its female protagonists, Wynter, assistant professor of media studies at Pomona College, will argue that the character of Chris Washington in Jordan Peele’s “Get Out” shows that Black protagonism does not simply subvert audience expectations or disrupt the rituals of viewership and participation the genre mandates, it short circuits the horror film paradigm altogether.

Faculty Talk: Aaron Wyanksi, “Horror Soundtracks 101,” is set for 11:45 a.m. Wednesday, Nov. 17. Join Wyanski, composer, pianist, and UMF assistant professor of music composition, for a critical exploration of soundtracks of horror films over the last century, with particular discussion of Michael Abels’ soundtrack from “Get Out.”

The project offers free events including expert talks, discussions, films and workshops, many online, for the education and enjoyment of people in Maine and beyond. Nominated by individuals throughout Maine, the selection of New Commons works have the common thread of representing many of the principles and cultural values that inspire and fascinate Maine residents.

The project is a public humanities initiative of the University of Maine at Farmington, Maine’s public liberal arts college, in partnership with the Maine Humanities Council. It is made possible by a grant from the Andrew W. Mellon Foundation.

To learn more, and to view many of the events for the first 12 topics, visit newcommonsproject.org.