All who contribute to ‘Collette’ create a perfect storm of cinematic artistry, J.P. Devine writes.
Movie Review J.P. Devine
J.P. Devine Movie Review: ‘The Children Act’
Emma Thompson once again shows us what film acting is all about, J.P. Devine writes.
J.P. Devine Movie Review: ‘Crazy Rich Asians’
A ballet of banality, designed to make you feel better for a couple of hours in these troubled times, J.P. Devine writes.
J.P. Devine Movie Review: ‘The Wife’
It’s Ms. Close who owns Runge’s movie, simply by standing still in each scene, J.P. Devine writes.
J.P. Devine Movie Review: ‘Operation Finale’
The last 15 minutes is probably the longest breath holding 15 minutes since ‘Casablanca,’ J.P. Devine writes.
J.P. Devine Movie Review: ‘Puzzle’
Mann and Moverman’s script, based on the film “Rompecabezas” by Natalia Smirnoff, is too well crafted for such a Hollywood finale, J.P. Devine writes.
J.P. Devine Movie Review: ‘Eighth Grade’
The film succeeds, largely because of star Elsie Fisher’s amazing work and sheer determination, J.P. Devine writes.
J.P. Devine Movie Review: ‘BlackkKlansman’
The film begins with a sinister whisper and ends with a scream, writes J.P. Devine.
J.P. Devine Movie Review: ‘The Equalizer 2’
The closest McCall comes to Jason Bourne is a palm wetting OMG ride with a knife carrying killer in his Lyft car, J.P. Devine writes.
J.P. Devine Movie Review: ‘Leave No Trace’
The film packed with questions and no answers, J.P. writes.