The Maine artist known for his geometric murals applies his signature style to smaller-scale works at new Portland gallery Notch8.
Leslie Bridgers
Columnist
Leslie Bridgers is a columnist for the Portland Press Herald, writing about Maine culture, customs and the things we notice and wonder about in our everyday lives. Originally from Connecticut, Leslie came to Maine by way of Bowdoin College and never left. She joined the Portland Press Herald in 2011 as a reporter and spent seven years as the paper’s features editor, overseeing coverage of arts, entertainment and food.
Deep Water: ‘Crossing,’ by Karin Spitfire
Maine poems edited and introduced by Megan Grumbling.
Angela Lansbury in ‘Murder, She Wrote’ wasn’t ‘cozy’ – she was revolutionary
Angela Lansbury was in a class by herself, and “Murder, She Wrote” was, all that quaintness notwithstanding, revolutionary.
Deep Water: ‘Atop Peaked Mountain,’ by Dennis Camire
Maine poems edited and introduced by Megan Grumbling.
Best-Sellers: ‘Lucy by the Sea,’ ‘The Personal Librarian’
The top-selling fiction and nonfiction books at Nonesuch Books & More in South Portland.
‘Amsterdam’ a true-ish shaggy-dog tale from 1933 with echoes of 2022
“A lot of this actually happened” is the opening epigram of “Amsterdam,” David O. Russell’s kaleidoscopic riff on the curious case of Gen. Smedley Butler, who in 1933 became involved in what would be known as the Business Plot, wherein he was allegedly approached by a cabal of wealthy business executives to be the figurehead […]
Deep Water: ‘First frost, final bouquet,’ by Anne Cyr
Maine poems edited and introduced by Megan Grumbling.
Deep Water: ‘The Jangled World,’ by Mark Evan Chimsky
Maine poems edited and introduced by Megan Grumbling.
Ken Burns on his latest PBS documentary, ‘The U.S. and the Holocaust’
Burns: ‘The willingness of people to believe the lies of an evil regime and manipulative leaders – demagogues – isn’t something that’s a one-off.’
Review: Ken Burns’ new documentary spotlights how little the U.S. did to stop the Holocaust
‘The U.S. and the Holocaust’ shows that Americans fell far short of their ideals in their treatment of Jews threatened with imminent murder in Europe. And the film suggests that the past is not past.